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異托邦容器Heterotopic Vessels

年份
2025
媒介
攝影、模型與投影

Project statement / English

This project originates from an interior design proposal for the adaptive reuse of Chatham Dockyard, a former naval shipyard shaped by layered industrial and military histories. Shifting from architectural design to photography and installation, the project draws on Michel Foucault’s concept of heterotopia, approaching the dockyard as a space where multiple temporalities and functions coexist.

Using small paper boat models combined with projected architectural drawings and archival imagery, the work constructs a speculative model-space. Informed by Jean Baudrillard’s notion of simulation, photography captures moments where model, projection, and physical site collapse into a single image, presenting the dockyard as an unstable space suspended between historical reality and imagined futures.

項目介紹 / 中文

這個項目始於一份關於查塔姆船塢適應性再利用的室內設計提案。這裡曾是一座海軍造船廠,工業與軍事的歷史層層疊加,留在同一片場地之中。後來,項目從建築設計轉向攝影與裝置。我借助“異托邦”的概念,重新看待這個地方:不同的時間與功能,如何在同一空間並存。

紙船模型、投影中的建築圖紙與檔案影像,共同搭起一個想像中的模型空間。攝影捕捉它們彼此交疊的時刻:模型、投影與真實場地彷彿落進同一幅畫面,邊界也隨之變得不再穩定。於是,船塢像是停在兩處之間——一邊是留下痕跡的歷史現實,一邊是尚未到來的想像未來。